How do you define a commercial classic? Many people confuse
that with commercial success – the 100 Cr club or the jubilee hits of yore.
Some people confuse it with classic based on storytelling or for some ground
breaking work – more classic. Some
think its what Vidya Balan made famous in Dirty picture – entertainment,
entertainment, entertainment.
To me commercial classics are
1.
Genre independent - You cannot call them a comedy or action movie.
Can you call Sholay an action movie , yes it had action loads of it but it had
so much more. Amar Akbar Anthony had comedy but it had so much more.
2.
Genuine emotions that co-mingle – Amitabh
Bachchan struggle for acceptance and success in Trishul sits nicely with the
bubbly love that Shashi Kapoor brings in . What I mean is that a sad song will
be genuinely sad, it wont seem out of place in the movie. Vengeance will be justified.
3.
A commercial classic should have high technical
standards of story telling , cinematography , intensity - For me Dalapathy is a commercial classic ,
Sholay’s 70 mm
4.
Commercial classics will have cinematic
liberties – for instance whats the need to have a hot song in Mr.India or an
item song in Nayakan
5.
Commercial classics do set a trend – there will
be atleast 8-10 more movies that resemble a classic in the next 5 yrs .
6.
You can watch a commercial classic anytime –
Like you can watch Terminator again but not necessarily Transformers.
It’s not a water tight definition and not
everyone will agree. For example 3idiots is not a commercial classic for me ,
it redefined it. Same goes for Dil Chahta Hai.
Movies that can almost be never re-made ( compared to 5) .
Now after the Salim Javed era and the not
so great 80s for Hindi, commercial classicism went to the South to get
recharged –
1. the Mani Ratnam and then Shankar
template that turbo charged it to a different sphere.
2.
Rajnikanths template that was unchallenged from Mannan in 1991 to
Padaiyappa in 2001.
Gilli released in 2002 –
that had the rising star Vijay (already called Ilaiya Dalapathy – a successor
to Rajnikant) .
The movie had some great commercial moments
– the action scene where Vijay escapes from Madurai is a classic . It was
copied to some extent in Chennai express.
It had some great family comedy – Vijay trying
to hide Trisha in the house. Some decent emotions on his father never valuing
him till the end.
It also established the ‘comic villainy’
that now Prakash Raj is typecast with. A
man with clout seeming desperate at times
and frustrated at his situation,
Mayilvahanam is a delight to watch.
The chase scenes and the falling in love of
Trisha and Vijay at the airport , and the last kabaddi match climax where
Trisha returns from the airport and challenges Mayilvahanam to take her by
defeating Vijay while casually sipping coffee.
If you don’t know Tamil, get the DVD with
subtitles and watch this absolute classic.
Today as Hindi cinema discovers this template as late as 2009 and continues to make templatized movies for last four years , a quick history lesson shows why its getting stale.
Today as Hindi cinema discovers this template as late as 2009 and continues to make templatized movies for last four years , a quick history lesson shows why its getting stale.
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